Category Archives: Part 2 Assignment Elements of design

Assignment 2: Tutors report


Have received my Tutor’s report for my second assignment and am fairly pleased with it:- 

“Overall Comments.

You have chosen a specific theme to use for this assignment concerning a sculpture by Henry Moore situated in Scotney Castle. This one sculpture provided the elements required to conveniently suit this exercise. You have added your preliminary thoughts on this assignment with a selection of suitable images that would also fit the brief.

Assessment potential

‘I understand your aim is to go for the Photography Degree and that you plan to submit your work for assessment at the end of this course. From the work you have shown in this assignment, providing you commit yourself to the course, I believe you have the potential to succeed at assessment’.

Feedback on assignment

Single point dominating the composition. This sculpture does dominate the composition, as it is a man made bold object placed in a natural wooded environment. Shown in black & white does blend the subject with the surroundings to some extent with similar tonal range. The second image showing a close up of part of the work that looks like an eye stands out as a single point that is quite dominant in this composition. The photograph appears to resemble an elephant’s head and eye.

Two Points:  The image depicted here shows a dominant silver birch tree in alignment with the sculpture thus forming the two points. The bright sunlight emphasises the silver trunk of the tree where the eye is drawn immediately to this and then bounces towards to the sculpture.

Several Points in a deliberate shape:  This is a very attractive composition of the sculpture where this has lent itself to be shown in black & white specifically. The lighting is ideal on a bright sunny day allowing the natural shadows to give depth to the image. One can appreciate the many shapes of this structure in this nicely composed image. Along with many shapes the photograph shows arches, triangles and implied triangles that complement this composition. I can understand why you chose this image as your frontispiece.

A combination of vertical and horizontal lines: The plinth happens to be a natural subject to show both vertical and horizontal lines in one image. The silver birch trunk echoes the upright stone brickwork of vertical lines quite nicely. Horizontal lines are displayed from the bricks, mortar lines and stone base of the structure. There is a good three-dimensional feel to this image where the tree trunk is placed out of focus using f/5.6 open aperture.

Diagonals:  Even though this shot is contrived to produce this angle, it demonstrates the category in this theme. Looking at the various shots of this sculpture, I can see other areas where this is also evident either as natural or implied versions of diagonals.

Curves:  You have shown two distinct examples of curves within the sculpture that cover this part of the assignment adequately. The first shot at standard focal length shows a good depth of field and excellent lighting to reveal texture and interesting features of this work of art.

Distinct if irregular shapes:  The sculpture once again has afforded you an opportunity to cover this particular category within the carving. One could say that most of the sculpture is a mass of distinct and irregular shapes!

Implied triangles: Your two examples cover this aspect well and there are others within the shots you have taken, such as DSC03525 in the tree branches and DSC03739 within the shape of the sculpture base.

Rhythm: With the example you have depicted here, it demonstrates a flow of the sculpture elements that could cover this aspect rather than having to deviate from your subject matter.

Pattern: The markings are deliberate on the statue and seemingly drawn in a haphazard fashion, may mean something to the artist or may even be decipherable? Nevertheless it does show the theme of some sort of pattern that has taken place in this sense.

Congratulations on coming up with an inspirational idea to use one subject to demonstrate the themes required for this assignment. It has challenged you to use your observational skills, which for a photographer are crucial in producing imaginative material. As you say in your summary, it brings out the creative skills to seek out the most effective shots.

Learning Logs or Blogs/Critical essays

Keeping sketchbooks and a learning log/blog is an integral part of this and every other OCA course, not only because they constitute 20% of your marks if you choose to have your work formally assessed but they are also an excellent way to see how you are developing.

Thank you for sending me images of your learning log. It is quite extensive and will form an important part during the assessment stage once the course has finished. I imagine you are keeping this in a binder and with the inclusion of links to your Blog will indicate to the assessors the amount of research and work you have ben engaged in to produce this information.

There is no doubt you have researched thoroughly and are producing a most interesting and informative blog. As I have already intimated, your preliminary shots for this assignment have also produced creditable images suitable for this project.

As you are no doubt well aware, your course finishing date is 16th October 2015, so I would recommend you make a timetable to complete this before that date. Can I suggest you try to submit assignment 3 in July, assignment 4 in August and assignment 5 in September, as you will then need to submit for assessment following the completion of the course.

 Suggested reading/viewing

Useful websites to view.

Pointers for the next assignment

‘Colour’. This is about colour relationships and colour harmony. Follow the colour wheel to ascertain the various different colour effects that make up the harmony aspect of a photograph. Opposite colours such as Red/Green are complementary, Similar colour sit alongside each other and Contrasting colours are those that are about thirds around the colour wheel such as Red, Blue, Yellow (the primary colours) also Black and white are contrasting colours. Seek out natural images such as the colours that make up a building, wall, plants and clothes. It is best not to contrive a shot to achieve the result.”

I feel my choice of subject and treatment has been a good one and from the feedback it appears my Tutor does too.  I am both looking forward to, and worrying about, the colour exercises as this has been an aspect of my photography that I have not consciously given a lot of thought to.

Assignment 2: Elements of design

The brief for this assignment was as follows:-

The idea behind this assignment is to incorporate the insights you have learned so far on the course into a set of photographs directed towards one type of subject. You should produce 10 –15 photographs, all of a similar subject, which between them will show the following effects:

 single point dominating the composition two points several points in a deliberate shape a combination of vertical and horizontal lines diagonals curves distinct, even if irregular, shapes at least two kinds of implied triangle rhythm pattern.

Choose from these groups of subjects:

flowers and plants     landscapes   street details     the raw materials of food.

if you prefer, choose your own subject.

I considered the subjects suggested, but did not find them as interesting as I would like, although of them all I was most tempted by “street details” as I do enjoy street photography.   I had considered, in addition to the suggested topics racing at Lydden Hill (and went as far as shooting last time I was there in anticipation of the assignment) ; Church interiors (like wise) and woodland but came up with the idea of using a relatively small subject after seeing a Henry Moore Sculpture in St Pauls Cathedral.  This reminded me of a three piece sculpture at Scotney Castle in the grounds there.  It is small sculpture for a Moore (as I understand it) but thought it would be an interesting challenge to see if it could provide the shots necessary for the assignment.

It is entitled “Three Piece Reclining Figure – Draped” and was given by Moore to Christopher Hussey, who willed Scotney Castle to the National Trust.

There are of course plenty of photos already of the sculpture (Google Henry Moore Scotney), but these in the main are of the whole thing, and while I did similar takes on it I also wanted to get closer to its component parts.

single point dominating the composition       

As an unnatural element in a natural setting, the sculpture and its plinth stand out. F16 1/60 130mm ISO400



The eye like indentation in this part of the sculpture aided both by the highlight at circumference and the shadow inside. F5 1/1600 70mm ISO400

two points


There is kind of competition here between the sculpture and the white(silver birch I think) tree behind it. F16 1/160 24mm ISO400

several points in a deliberate shape     


Taken with an ultra wide angle the two components of the sculpture at the front of the image, by their similar arcs, lead to the third component at the rear, aided by the latter being less in the shadows. F16 1/40 12mm ISO400

a combination of vertical and horizontal lines


The plinth provides both horizontal and vertical lines both with the overall shape and the mortar connecting the bricks while the vertical is reinforced by the white trunk in the back ground. F5.6 1/2500 70mm ISO400



Diagonal created by angle of shot. A bit of interest added by the bug that landed as I was taking the shot. I considered this shot for the rhythm entry so to speak as I thought the series of algae (lichen?) leads your eye into the frame. F20 1/80 35mm ISO400



The liquidity of the sculpture is full of curves but depending on the angle of the shot other shapes can be created or implied such as the triangle here. F14 1/40 50mm ISO400



The marks on this part and elsewhere were I think deliberate and imply (at least to me) some sort of clothing. In any event I feel they reinforce the curve in this shot. F5 1/1000 70mm ISO400

distinct, even if irregular, shapes     


An irregular circle leading to a further surface on the sculpture. F5 1/1000 70mm ISO400

at least two kinds of implied triangle      


Apex at the top with the head of the sculpture forming the tip. the three components forming the triangle. F11 1/250 26mm ISO400



Apex at the bottom or at least nearest the camera this time. The relatively wide angle accentuates the nearest component and relegates the other two to be the base of the triangle. In addition there is also an implied triangle (arguably stronger) in the plinth. F18 1/60 24mm ISO400




This in the context of the exercise and using the sculpture was the trickiest aspect for me but I liked the progression to the rear here with the first part pointing the way and the final bit highlighted by the reflection. F14 1/40 50mm ISO400




A close up (with macro lens) of the deliberate (?) markings on the sculpture. These were only about two centimetres long and I liked the trail effect here. F32 1/10 90mm ISO400

I used black and white because I felt that apart from a small amount of patina the sculpture is to all intents and purposes a monochrome object and I think using black and white emphasises its form.

I turn now to the assessment criteria

Demonstration of Technical and Visual Skills

Compared to the previous assignment I think there is more demonstrated here with the use of different lenses, the angles and settings employed.  As is often the way there are shots I thought of, after I returned home and reviewed the two hundred plus shots I had taken, even though I gave myself enough time at the site to think about the shots before I took them, and how I could use different lenses to get them.

Quality of Outcome

I am happy with the results here and I feel that I have come up with a set of shots that covers the brief of the assignment.  Of them all, I think the Rhythm and Pattern shots are the weakest and this may be because of the self imposed constraint of the subject I chose.

Demonstration of Creativity

I think in terms of the subject chosen and the use of that subject there is an improvement from the previous assignment.

This is why I chose this subject for the assignment as, by its nature, it would force me to be creative more so, say, than trying to fill the brief by street shooting.  I liked the challenge of finding the various required shots within the sculpture most of which worked I think.


I’ve been looking at magazines for ideas and these have been copied into my learning log but for this exercise the main source of reference has been  The Photographer’s Eye by Michael Freeman.  In particular chapters two and three of that book “Design Basics” and “Graphic and Photographic Elements” were very useful.

I also been reading by the same author the e-books of “Capturing the Light” and “Capturing the Moment”


Assignment 2 – preliminary thoughts and shots

This assignment is, to an extent, a sweep up exercise to include all the elements, previously  covered in this section, in a series of ten to fifteen photos.

As it happened I had a couple of opportunities coming up where I thought I may be able to fill the brief so to speak.  The first of these was a Rallycross meet at Lydden Hill and the second was a one 0ff photographers meeting at St Pauls.

While I got some of the shots required (see below) I didn’t get them all, and so decided that I would choose a subject myself with a view to specifically shoot for the exercise rather than shoehorn it in to a activity.  I don’t think doing that is a problem so much with the exercises but, having considered it, I think the assignment shoot (or shoots) need to be specifically for that purpose.

In any event I thought it would be of interest to see a few examples of the ones that I thought could be used:-

A.  Lydden Hill


Single point


Implied triangle – the red points.






Defined Shape -rectangle


Defined shapes – circles

B. St Paul’s Cathedral


Implied triangle


Two points.


One point




Distinct shapes




Single point